
How I Create Commercial Photography That Doesn’t Look Like Commercial Photography
Jul 17, 2025
3 mins Read
Most commercial photography looks like it was made in a boardroom.
Stiff and Scripted. You can almost hear someone in the background say, “Make it pop.”
But when a brand hires me, they’re not just looking for clean product shots or polished smiles. They’re looking for a feeling. They want connection — without it looking like they tried too hard.
So here’s how I give them exactly that.
1. I Start with Emotion, Not Mood boards
Before I ask what colors or props they want, I ask:
“How do you want people to feel when they see this?”
Because no one remembers a product photo, But they’ll remember how a campaign made them feel cool, calm, seen, or curious.
If the emotion is right, everything else falls into place.
2. I Cast People, Not Models
Most brands say they want “authenticity” — but then hire faces that feel factory-made.
I look for people who look like your audience, People with real skin. Real texture. Real posture. Not influencers — but believability.
Because your customers want to see themselves — not a perfect version of themselves.
3. I Blur the Line Between Commercial and Personal
I shoot commercial projects the same way I shoot portraits, Low pressure, Plenty of breathing room. The camera is there, but it’s not the focus.
I’m not documenting the brand — I’m documenting the feeling the brand wants to own.
4. I Use Light Like It’s a Character
Harsh light says tension. Soft light says vulnerability. Backlight says mystery.
Lighting isn’t just technical — it’s emotional.
When I shoot, I ask,
“What role should light play in this story?”And I let that guide everything from the setup to the shadows.
5. I Design Each Frame to Feel Like a Scroll-Stopper
Not every brand has 5 seconds of your audience’s attention. Sometimes you only get one, So every shot I create for clients is meant to feel cinematic, personal, and a little out of place — in a good way.
Because in a world of polished sameness, the best compliment a brand can get is:
“Wait… what’s that?”
The Result?
Photos that feel editorial — not like an ad. Campaigns that resonate — not just promote. Clients who come back — not just post and forget.
Want visuals that move people, not just markets? Let’s make something together that doesn’t look like a campaign.
It looks like a story.
BASED IN Los Angeles,
CALIFORNIA
Peter jacobs,
photographer


